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By Jodi Temyer
Published: February 2, 2010
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Concert Review-moe.-Pittsburgh, PAIt’s not every day you get to rock out in the auditorium of a library, but luckily for the people of Pittsburgh, Carnegie Music Hall in Homestead provides this opportunity very generously, with big-name bands such as moe., who visited the historic location on January 31, 2010.

The band took the stage decked out in their Sunday best, with every member wearing a suit and tie. Appearances aside, moe. came ready to jam, and the very intimate audience in attendance (Carnegie holds just slightly over 1,000 people) was dancing in the aisles within seconds of "Akimbo" ('Headseed,' 1994) starting. Also in the first set, moe. played a 15-minute version of "32 Things" ('No Doy,' 1996) that satisfied some of the greatest requirements of a jam bad—the guitars were talking through the entire song; Al Schnier (guitar) sang with passion most people seem to lose after so many years of performing; and the guys built the music up and up and up into a climatic explosion that can send any hippy into a dancing frenzy.
Slowing things down ever-so-slightly (and only for brief moments), moe. played "Lost Along the Way" and "Down Boy" (both from 'The Conch,' 2007). Rounding out the first set, the band teased out a nice, trippy performance of "Head" ('Tin Cans and Car Tires,' 1998), proving that oldies are always goodies.

Let’s take a moment between sets to discuss the pros and cons of Carnegie Music Hall in a short list I have developedConcert Review-moe.-Pittsburgh, PA for just such an occasion.

Pros: You get served beer in a library. The prices are cheap compared to larger venues. There isn’t a single bad seat in the house. For people who feel the need to be creepy (such as myself), you can visibly see everyone in the place, especially from the balcony, easily spotting people you know, and pegging those you want to watch dance through the show (c’mon, I know I’m not the only one who enjoys watching others flail around just as much as watching the band.) The staff always seems extremely nice and accommodating, and rarely hassles you for petty stuff like security in a lot of other venues tend to do.

Cons: Fighting your way to will call through the tiny foyer is not pleasurable, especially when it’s frigid outside and everyone keeps leaving the doors open. Smokers, have fun shoving your way outside during break set to light up, as it seems everyone stands directly in front of the doors to avoid falling down the steep set of stairs. If by some chance you plan on sitting through the show you are seeing, bring a seat cushion or your ass will be sorry.

On to set two. It might not have been everyone’s idea of an ideal set list, but moe. kept the energy up by spending part of the set performing shorter variations on songs, then taking Concert Review-moe.-Pittsburgh, PAtheir sweet time jamming out on others. The set started with a 17-plus-minute version of "Dr. Graffenberg" ('Fatboy,' 1992), which was followed up by "Jazz Wank into Spaz Medicine" ('Tin Cans and Car Tires'), both coming in under 8 minutes. Giving everyone a few minutes to regroup, moe. slowed it down with "Brittle End" ('The Conch'), before launching into "Meat," appropriately from 1996’s album 'Loaf' (get it?), then into "The Pit" ('The Conch'). The end of the second set, a 21-minute "Brent Black" ('Headseed'), did not disappoint with its drum and bass solos. The encore was short-lived, but fun nonetheless, with "Funky Reuben" and "Gone."

The thing about a band like moe., is that there is an endless combination of songs to take into consideration. While some bands fill their set lists with the same old radio-hit, sing-alongs show after show, moe. has the capability to make sure no two evenings are alike. And while some may be disappointed that their favorites aren’t performed, that’s what makes it all the more exciting for moe. fans to attend countless shows, trying to predict what they might be treated to on that particular occasion.

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