By Joel Voorman
Published: May 23, 2008
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 Review appears courtesy of our friends at CleveRock Music Portal As the closing lyrics go the theme song from the former smash TGIF show ‘Step By Step’, “We’ll make things better, the second time around.”
Rock on the Range promoters Right Arm Entertainment and AEG Live did
just that. Although there was room for improvement, topping the largely
successful inaugural 2007 show was no easy task.
The improvements to the festival were visible before the first bass punch sent vibrations through the ground: - Most
festivals see crowds stagger in throughout the middle of the day; not
Rock on the Range. All 30,000+ strong were waiting to bust the gates
well before 11:00 AM. This year fans got in much more quickly and in a
more orderly fashion, leading to a happier start for most people's day.
- The second stage was positioned to allow for a greater capacity to get a better view this year.
- Autographs!! A booth to meet-n-greet many of the ROTR stars and get a John Hancock.
- More People permitted on the field - aka "The Promise Land."
- 2008's lineup kicks 2007's lineup ass!
And the stage (two stages to be exact) were set for a great weekend.
The rock got started at high noon on Saturday. (5.17.08) The second
stage was already packed at the starting gun, an oddity for any
festival. The beer flowed early and never slowed for the duration of
the festival. Bring it on, Milwaukee. No doubt about it, the assembled
came ready to rock, and rock hard. The hidden gem of the festival, Ashes Divide,
took the stage almost immediately, manning the second slot of the day
at three quarters past noon. The confusion of the "band" name lies in
the fact that Ashes Divide is not actually a band, but rather the alias
for guitarist Billy Howerdel. Perhaps not many of the Rangers
were familiar with Ashes, but I’m sure with very few exceptions, all
were familiar with Billy Howerdel’s other project, A Perfect Circle,
which included bandmates (Tool frontman) Maynard James Keenan, and
master studio drummer Josh Freese. With A Perfect Circle on hiatus
since 2006, the solo arena is the perfect outlet for Howerdel to step
into the spotlight where his talents can shine. And shine they did,
with one of the most impressive performances at Rock on the Range.
Early on in his set Howerdel drew the crowd in with one of his most
rockin’ numbers, “Enemies,” the sixth track off of his debut album, ‘Keep Telling Myself It’s Alright.’
(Released April 8th on Island) Despite being unfamiliar with the music,
the crowd, already 1/8 drunk, really digged the set. Ashes Divide
closed with “The Stone,” the album’s first single, and for the first time, the masses had a song they could sing along to. [Check out CleveRock.com's exclusive interview with Ashes Divide after Rock on the Range]
After Finger Eleven got things kicked off on the main stage and made the audience move, (because they were standing still) Shinedown took over at 2:30. The Jacksonville, FL natives opened their set with “Devour,” the lead track off of their forthcoming Atlantic Records release, ‘The Sound of Madness,’
due out June 24th. The band mixed in some new material, including the
title track from their yet to be released album, along with Shinedown
classics including “Save Me,” "I Dare You," and the controversial “45,”
the song about suicide, except that it isn't. The sound guy got it
right. Everything sounded as it should for an outdoor rock festival.
With two solid back-to-back sets from Finger Eleven and Shinedown, the
main stage was now officially in full gear. [Check out CleveRock.com's interview with Shinedown from 2005] After
some time well spent people watching and taking care of business in the
media tent, it was back over to the second stage for the 3:15 show. In a sea full of sinners, the saints on hand at the festival were Nashville, Tennessee’s Red.
With all the profanity flowing from the stages through lyrics and
between song banter, it was refreshing to see a band at the festival
take a more wholesome approach. Red didn’t use the stage as a pulpit
and preach like most Christian rock acts, which earned them the respect
of the diverse crowd. Instead, they got their message across through
their hard rock with songs off of their debut album, 'End of Silence,' including “Let Go,” “Already Over,” “Pieces,” and “Breath Into Me,”
the later which has enjoyed major secular success, peaking at #15 on
the US Mainstream Rock chart. The tune also took home a Dove award. No
matter what your religion or creed, it’s always a pleasure to see a
band spreading something they are excited and spiritually passionate
about. The heavy guitar riffs and pounding drums had the pit working
overtime. With the Christian scene struggling hardcore in recent years
to find a legitimate rock powerhouse, or for that matter, a band that
can breakthrough into the secular market, the search finally ends with
Red. Later on in the festival there will be a whole lot of
reuniting going on with the artists, but as I make my way from the
second stage back to the media tent, I see several reunions almost
equally as fascinating. Disgustingly
sweaty hugs are exchanged between friends that have found their needle
amongst a haystack (with the help of a cell phone) that made
acquaintance at last year’s festival, or perhaps via Rock on the Range
fans’ strong online community. It’s neat to see people from across the
country gather together for one weekend, for one time in a year, for
one cause: to rock out. Jack Bateman of Darylville, North Dakota made
the long flight eastward to Columbus for Rock on the Range, where he
met up with a fellow Ranger from Canada, Rob Kenny. The two met at
2007's ROTR and have kept in touch via MySpace. "Seeing Rob again is
totally kick ass," said Jack, "he's 5/4 my brother in rock." After finally making it through the cattle herding and back to safety in the media tent, I had the opportunity to sit down with Richard Patrick of Filter. This was my second time of having the pleasure of chatting with Patrick, as I had already done so once before when he fronted Army of Anyone. [Watch CleveRock.com's backstage interview with Filter's Richard Patrick here]
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